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One night he made a pass at me, which was not what I had in mind.

I remember, even now, the way he curled his upper lip into an intimidating sneer when I told him “no”.

Yet there she was, a luminously beautiful fledgling kicking off adult life when everything was in flux, with flower power and women’s lib making the weirdest bedfellows.

Political protest and popular music coalesced in sexual yearning: make love, not war; don’t trust anyone over 30; turn on, tune in, drop out. It was tricky for many of us to work out where we fitted into this new world, and never more so than when it came to sex, which seemed to be a leitmotif running through everything.

Imagine how it may have been for Faithfull, caught in an intimate bond with her mother, looking to her for reassurance that growing up is a safe thing to do, yet forever aware of her mother’s raging distress and unable to soothe her.

I’d said he could do so, in the easy-going way we offered hospitality in that city at the end of the Sixties.

Yet in Faithfull’s tale we see that growing up can be the key to finding a way to live that does not require one to perform for others when it feels wrong.

In her fifties, she says, she found that she had put sufficient life and learning between herself and her mother’s influence that she could love and enjoy a physical relationship – without being under the influence of anything, except the pleasure of being who she was and where she was from choice.

She was aware, without comprehending at the time, the ferocious loathing of men that suffused her mother, while she saw her grandmother turn away from her grandfather, “who really adored her”.

Analysing this now, Faithfull sees how, even as she loved Jagger, she could not separate that feeling from the fact that he was a man, and as such an object of abhorrence when it came to sex.

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